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      <image:title>FAQs 3</image:title>
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      <image:title>FAQs 3</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6318962264475814777b6172/1662556451525-CYNFB8DK8BR0GNMVTBBB/Aro+Ha_0428.jpg</image:loc>
      <image:title>FAQs 3</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6318962264475814777b6172/1662556451536-QFUPLJ6DI6MSE0GWRHV0/Large+JPG-Aro+Ha_0387.jpg</image:loc>
      <image:title>FAQs 3</image:title>
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      <image:title>FAQs 3</image:title>
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    <image:image>
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      <image:title>FAQs 3</image:title>
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  <url>
    <loc>https://www.simonetippach.com/fotografien</loc>
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  <url>
    <loc>https://www.simonetippach.com/fotografien/the-rural-run-l6bbf</loc>
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    <priority>0.5</priority>
    <lastmod>2025-07-01</lastmod>
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      <image:title>FOTOGRAFIE - Herzstillstand</image:title>
      <image:caption>Die Menschen vor und hinter den Ständen legen das Hartgummivolk achtlos beiseite, um ihre Schnäppchen zu machen.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/7032200c-9eae-4a8a-a0b9-bca28595a9f4/P4240097.JPG</image:loc>
      <image:title>FOTOGRAFIE - Herzstillstand</image:title>
      <image:caption>Irgendein Fiesling hat den meisten Puppen die Höschen heruntergezogen – halbnackt liegen sie kreuz und quer – und bieten ein surreales, mitunter absurdes Schauspiel.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/34df97c0-2c03-4711-909f-9d268491f580/P4240086.JPG</image:loc>
      <image:title>FOTOGRAFIE - Herzstillstand</image:title>
      <image:caption>„Oh Gott, ist das gruslig!“, ruft eine Frau aus und schiebt die Puppen von sich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/7670d56e-1ca0-463d-9b62-51b45d2ab2fb/P4240137.JPG</image:loc>
      <image:title>FOTOGRAFIE - Herzstillstand</image:title>
      <image:caption>Die Empfindungen bleiben bei den Menschen – ihre Ebenbilder lächeln weiter und klappern im Wegschieben ungerührt mit den Augen.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/23749fae-aa99-4586-a692-2692b7755390/P4240120.JPG</image:loc>
      <image:title>FOTOGRAFIE - Herzstillstand</image:title>
      <image:caption>Der Körper scheint echt zu sein, um zugleich als lebloser Balg eine Abwesenheit zu demonstrieren.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/6a8a539c-1395-4164-ad2b-a0a6125c7435/P4240059.JPG</image:loc>
      <image:title>FOTOGRAFIE - Herzstillstand</image:title>
      <image:caption>Wird die Puppengestalt im fotografischen Medium fixiert, wiederholt sich das performative Prinzip der Fotografie ein weiteres Mal.</image:caption>
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  <url>
    <loc>https://www.simonetippach.com/fotografien/glacier-repair-y2gxx</loc>
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    <lastmod>2025-07-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/49336722-9b74-4c0f-ad43-b94b0b8a566b/P4250002.jpg</image:loc>
      <image:title>FOTOGRAFIE - Ruhezeit abgelaufen</image:title>
      <image:caption>Eine 4,75 ha große Fläche des Georgen-Parochial-Friedhof III in Berlin Weißensee wurde vor 30 Jahren geschlossen und soll in absehbarer Zeit bebaut werden.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/3a5b6efa-efc1-4290-a7a5-10027ec5a01d/P2210296.JPG</image:loc>
      <image:title>FOTOGRAFIE - Ruhezeit abgelaufen</image:title>
      <image:caption>Ein Entwurf für ein städtebauliches Konzept liegt bereits vor. Die Grabsteine auf der geschlossenen Fläche wurden weitgehend abgeräumt.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/51b75316-197c-44c9-9b3c-197a2054d37e/P2210368.JPG</image:loc>
      <image:title>FOTOGRAFIE - Ruhezeit abgelaufen</image:title>
      <image:caption>Bäume, Sträucher und Gräser haben das brachliegende Gräberfeld die letzten zehn Jahren in ein undurchdringliches Dickicht verwandelt.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/10578d23-5998-49e1-ac78-33f9b504306a/P8290140_1.JPG</image:loc>
      <image:title>FOTOGRAFIE - Ruhezeit abgelaufen</image:title>
      <image:caption>Alte Wege, trockene Brunnen und gestürzte Grabsteine lassen die ursprüngliche Nutzung noch erahnen.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/9cc21b21-0243-44b4-a235-e4ab09311ed0/P8290168_1.JPG</image:loc>
      <image:title>FOTOGRAFIE - Ruhezeit abgelaufen</image:title>
      <image:caption>Auf dem Boden liegen verstreut kleine, weiße Keramikschilder. Sie geben immer noch Auskunft über die Verstorbenen, deren Ruhezeit längst abgelaufen ist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/9f10a73b-591c-48b8-9876-d7d2872403b0/P8290132_1.JPG</image:loc>
      <image:title>FOTOGRAFIE - Ruhezeit abgelaufen</image:title>
      <image:caption>Die letzten Beerdigungen fanden 1962 statt. Das Jahr, in dem die Fotografin geboren wurde.</image:caption>
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  <url>
    <loc>https://www.simonetippach.com/fotografien/small-town-romance-psse8</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-07-16</lastmod>
    <image:image>
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      <image:title>FOTOGRAFIE - in &amp; auswendig</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/2061e803-a3b3-405a-afdb-96f09cc4dfa0/P1140017neu2.jpg</image:loc>
      <image:title>FOTOGRAFIE - in &amp; auswendig</image:title>
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    <image:image>
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      <image:title>FOTOGRAFIE - in &amp; auswendig</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/fdd88356-52fd-46d8-9078-e9a3654ee264/Simone-Tippach-Schneider_5.jpg</image:loc>
      <image:title>FOTOGRAFIE - in &amp; auswendig</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/b66846f1-c0c4-407e-a42b-28a7438acb97/Simone-Tippach-Schneider_3.jpg</image:loc>
      <image:title>FOTOGRAFIE - in &amp; auswendig</image:title>
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  <url>
    <loc>https://www.simonetippach.com/fotografien/acres-g4253</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/d08f9b6f-030d-4a9b-abec-edd21b829074/PA240131_neu-A.jpg</image:loc>
      <image:title>FOTOGRAFIE - Mehr tot als lebendig</image:title>
      <image:caption>Die Körper scheinen lebendig, um zugleich als leblose Hüllen eine Abwesenheit zu demonstrieren.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/0a048e1d-dd05-40d1-9915-d5affa7a20ec/P8130122_neu.JPG</image:loc>
      <image:title>FOTOGRAFIE - Mehr tot als lebendig</image:title>
      <image:caption>In den Fotografien untersuche ich das Zwischenreich, in dem sich Puppe und Mensch kaum noch unterscheiden lassen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/2c8866de-5128-4f5a-b4eb-c08f2f35eb79/PA170122_neu-A.jpg</image:loc>
      <image:title>FOTOGRAFIE - Mehr tot als lebendig</image:title>
      <image:caption>Im Wechsel zwischen wahr und falsch werden die Bilder gleichsam zur aktiven Instanz, die uns unsere Erwartungshaltung und Wahrnehmungsmuster vorführt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/aba077e1-df3a-4d36-9d16-a2d56cb86eb5/P1160151_neu-A.jpg</image:loc>
      <image:title>FOTOGRAFIE - Mehr tot als lebendig</image:title>
      <image:caption>Seitdem begleiten Puppen meine Wahrnehmung.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/94e7a94e-8e8a-4e37-9aae-8c64c5d3c1a7/P5270174_neu-A.jpg</image:loc>
      <image:title>FOTOGRAFIE - Mehr tot als lebendig</image:title>
      <image:caption>Sie tauchen auf – in spiegelnden Fensterscheiben von Zugabteilen, unter Plastikfolien, in der stillgestellten Szenerie medizinischer Notfallübungen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/f98b6dd4-4239-40e7-b7dc-c92c6b2960b6/P5270234_neu-A.jpg</image:loc>
      <image:title>FOTOGRAFIE - Mehr tot als lebendig</image:title>
      <image:caption>So gerate ich in einen Zwischenraum: für das scheinbar Leblose, das durch menschliche Imagination beseelt wird.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/36b232a2-5267-439d-8cd7-b2070f0ce150/P1160190_neu-A.jpg</image:loc>
      <image:title>FOTOGRAFIE - Mehr tot als lebendig</image:title>
      <image:caption>Meine Fotografien loten das Spannungsfeld zwischen Tod und Leben, Abbild und Wirklichkeit aus – und machen sichtbar, wie nah das Vertraute und das Fremde oft beieinanderliegen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.simonetippach.com/fotografien/small-town-romance-psse8-f3d25</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/c73762c3-94da-4f7c-bc5b-30f8274d4dd6/Exil_Tippach_Ausgebrannter-Imbiss.jpg</image:loc>
      <image:title>FOTOGRAFIE - Der Schwan im Exil</image:title>
      <image:caption>Ausgebrannter Imbiss auf der Alarichstraße, Erinnerung an die Fotografin Ellen Auerbach | Ein großer Teil der Straßenszenen, die Ellen Auerbach (1906–2004) fotografierte, entstand auf ihren Reisen ins Ausland, darunter 1955/56 während einer mehrmonatigen Fotoreise durch Mexiko.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/ec831975-d179-40e1-ae8a-cfc68b874fd7/Exil_Tippach_Berliner+Ostbahnhof%2C+Erinnerung+an+die+Fotografin+Germaine+Louise+Krull%2C+2024-Fotoabzug+auf+FineArt+Natural+Papier.jpg</image:loc>
      <image:title>FOTOGRAFIE - Der Schwan im Exil</image:title>
      <image:caption>Berliner Ostbahnhof, Erinnerung an die Fotografin Germaine Louise Krull | 1928 erhielt Louise Krull (1897–1985) in Paris vom Magazin „Vu“ den Auftrag, Obdachlose abzulichten. Sie fotografierte Wohnungslose gegen deren Willen und nannte sie euphemistisch „Clochards“.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/9f0152d2-11bd-4e05-9cbb-0c62cbc66145/Hangar+im+Flughafengeb%C3%A4ude+Tempelhof%2C+Erinnerung+an+die+Heimatlosen%2C+2024-Fotoabzug+auf+FineArt+Natural+Papier.jpg</image:loc>
      <image:title>FOTOGRAFIE - Der Schwan im Exil</image:title>
      <image:caption>Hangar im Flughafengebäude Tempelhof, Erinnerung an die Heimatlosen | 1948 wurden 5.536 jüdische „Displaced Persons“ mit amerikanischen Militärmaschinen von Berlin-Tempelhof nach Frankfurt am Main ausgeflogen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/685a8d8d16766918e71c8003/425bc6d5-470a-410d-b3cb-ffe0294a1e68/Fontanepromenade%2C+Erinnerung+an+die+Fotografin+Eva+Kemlein%2C+2025-Fotoabzug+auf+FineArt+Natural+Papier.jpg</image:loc>
      <image:title>FOTOGRAFIE - Der Schwan im Exil</image:title>
      <image:caption>Fontanepromenade, Erinnerung an die Fotografin Eva Kemlein | Ab 1940 musste sich Eva Kemlein in der „Zentraldienststelle für Juden“ in der Fontanepromenade 15 melden und wurde zur Zwangsarbeit verpflichtet.</image:caption>
    </image:image>
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